AS I WANT
As I want
Cairo, January 25, 2013: An explosion of sexual assaults takes place in Tahrir Square on the second anniversary of the revolution. In response, a massive outpouring of enraged women fill the streets. Director Samaher Alqadi picks up her camera as a form of protection and begins documenting the growing women’s rebellion, not knowing where the story will lead her. When Samaher becomes pregnant during filming, she starts to re-examine the constructs of her own childhood in Palestine and what it means to be a woman and a mother in the Middle East. She begins an imaginary conversation with her mother, who died before Samaher could see her one last time. She begins to form the words left unsaid and shares her deepest secrets in an intimate inner voice that guides us through the story. She goes on a traumatic visit back to her parent’s house in Ramallah, where she is confronted with the dark memories of a childhood she managed to escape. Meanwhile, the struggle in Egypt continues and, even after the birth of her son, Samaher still finds herself on the frontline.
As I Want / Samaher Alqadi / Egypt, Norway, France, Occupied Palestinian Territory, Germany / 2021 / 88 min.
Arabic
Slovak, English
Gender Equality
Other movies
THE THERAPY
Conversion Therapy is revealed from within for the first time. Lev, a 54 year-old divorced Orthodox Jew, attends conversion therapy hoping to be remarried to a woman. He attends one-on-one therapy sessions and group therapy, believing his unwanted same-sex attractions will disappear. At the same time, Ben, a 23-year-old social works tudent, seven years into …
MYANMAR DIARIES
A hybrid film about life under the regime of terror in Myanmar in the aftermath of its military coup of February 1st 2021, told through personal stories by a group of anonymous young Myanmar filmmakers. The film shows how Myanmar goes from the military coup to nation-wide protests and civil disobedience, to barbaric repression where …
BLUE ISLAND
The film documents three real-life characters who engaged in rebellions when they were young. Through reconstructing these events, the film dramatizes theirs carred memories and experiences by using four young people who participated in the 2019 Anti-extradition Law Amendment Movement in Hong Kong. These real protagonists are separated by time and history, yet their lives …